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Luxxury

WORDS & PHOTOS BY FIESTABAN PHOTOGRAPHY!

LUXXURY

Disco is definitely not dead.  In fact, the resurgence of nu disco with bands like Tuxedo, Escort, Chromeo, and Miami Horror are only the newest chart-topping tips of a much larger phenomenon of Giorgio Moroder and Nile Rodgers-inspired style of slick synth-funk.  But Tuesday night’s Luxxury (aka Blake Robin) show at the Moroccan Lounge cemented his place in the pantheon of great disco funk masters with his first live LA show in over two years, along with openers Limón Limón, Inspired & The Sleep, and Alex Siegel.

Opening up the show was Limón Limón, a duo consisting of Jason Gallo-Gaffner and Clyde Hill who fuse vintage guitar and chill wave, indie-pop sounds along with Jason’s lush, almost sorrowful croon into something modern yet familiar. Songs like “Ride Out” or “Trying Not To Think About You” have a contemporary sound, but harken back both to early 2000s Phoenix or Postal Service, while also making nods to yacht rock, latin soul and g-funk (at one point Clyde busting out his Talk Box voice modulator for their unreleased upcoming single “Normal Now”). If you want to dance, but still be in your feelings, check this band out here.

INSPIRED & THE SLEEP

Inspired & The Sleep, a trio originally from San Diego, but now LA locals, is out to kill you with kindness. Their songs, replete with thick walking bass lines, vulnerable falsetto vocals, surf guitar licks and lyrics that may very well make you well up, pull no punches and spare no emotion. Vocalist-songwriter Max Greenhalgh, guitarist Bryce Outcault, and drummer Ryan Dawson brought that heat that is one part butterflies in the stomach and one part groove-till-dawn energy. Their latest track “Big Wide World” is out, along with their self-titled album. Check them out here.

ALEX SIEGEL

A bit more low-key, Alex Siegel is a tender-heart whose sound is the melding of Neil Young, Bon Iver and Mac DeMarco. Alive with honesty and virtuosic guitar playing, Siegel is a dazzling display of lovelorn and forlorn, taking an almost folk trope and adding brilliant layers of lush bedroom pop sound to create songs to find and lose love to. Check him out here.

And then there’s Luxxury. Starting around 2003, Luxxury was originally a Bay Area electroclash rock trio with tongue-in-cheek dance tracks like “Drunk,” “Sweet And Vicious” (featured on the show “The Hills”), or his cover of ABBA’s Anni-Frid Lyngstad’s “I Know There’s Something Going On.” After the initial success of several singles being used in commercials and video games, Robin released his first album Rock And Roll (Is Evil) in 2006. After the subsequent departure of his bandmates, Robin took a six-year hiatus from releasing music, but returned in 2012 under the moniker “Baron Von Luxxury” with his album “The Lovely Teresa” about the tragic double suicide of his friends and artists Teresa Duncan and Jeremy Blake in 2007. The album coincided with Robin’s reflections about their untimely passings (and how it may have been precipitated by The Church of Scientology), as well as how their lives inspired him to honor their memory in a way they would have loved. The album featured a far more disco-focused sound, stepping away from the punk sensibilities of previous projects into a more Rhodes-centric 4/4 indie-pop. Highly acclaimed by critics (Duran Duran’s John Taylor even listed it as one of the top albums of 2012) Robin wasn’t finished yet. He began doing a series of popular song remixes in 2014, which culminated in a legal battle with Warner Brothers Music. However, after six years of performing as an international DJ, all the while tinkering and releasing tracks and various EPs, Luxxury was back on Tuesday night, heralding a fresh new album It’s Not Funny, which includes funktastic tracks like “Take It Slow,” “What Do You Really Want?,” “Be Good To Me,” and “I Need You.” Describing the new sound as “LCD Soundsystem + Bee Gees,” it was 4-on-the-floor, pulling out all the stops to create a highly infectious, crisply-rendered, “Random Access Memories”-esque dance parade of music. Backing Robin was bassist Zach Robinson and drummer Sam KS whom fleshed out the songs with grooves that Kool & The Gang would have been proud of. It was large, it was in charge and it was rocksteady. This show was the only scheduled live appearance of Luxxury in Los Angeles, but we’re anxiously awaiting more from this nu disco impresario. Check out more here.


LUXXURY

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INSPIRED & THE SLEEP

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LIMÓN LIMÓN

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ALEX SIEGEL

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JANUARY 14TH, 2020
MOROCCAN LOUNGE, LOS ANGELES, CA
PHOTOS BY FIESTABAN PHOTOGRAPHY!

*CREDIT THE PHOTOGRAPHER IF IMAGES USED, PLEASE! 
NO EDITING AND/OR REMOVAL OF WATERMARK(S)*
tags: Luxxury, Alex Siegel, Limon Limon, Fiestabanphoto, Inspired & The Sleep
Thursday 01.16.20
Posted by Concert Updater
 

Kate Clover

WORDS & PHOTOS BY FIESTABAN PHOTOGRAPHY!

KATE CLOVER

The Bootleg Theater is going to be Grand Central Station for local indie rock and punk this month with a free month-long Monday residency by Kate Clover, along with newer featured artists.  This Monday’s rock-solid lineup included openers Vaguess and Jordan Jones, along with closer Nice.

VAGUESS

Vaguess (pronounced like “Vegas”) is the minimalist, half-jokingly angsty brainchild of Vinny Vaguess, who brought late-70s punk vibes that were equal parts garage rock and punk, sounding like an even split between Buzzcocks and Jonathan Richman (including his almost unrecognizably jangly cover of “Roadrunner”).  The tall, mustachioed Vaguess is no-nonsense and to-the-point, blasting through his 25 minute set with the sole purpose of loosening the screws of this new residency and laying the groundwork of what’s to come.

NICE

Jordan Jones is a gem.  Backed by five musicians who all seemed to be time travelers from different points in rock history, Jones has a clever, pop-sensible way of songwriting that’s somewhat akin to Jackson Browne, Dire Straits, Pete Townsend or Cheap Trick, but with far more tongue-in-cheek naiveté.  It’s Southern roots rock with a twist of lemon. The melodies are infectious and upbeat, albeit tinged with a bluesy loneliness and self-awareness that really puts you in your musical happy place.

Nice really is pretty nice for a hardcore band.  A local favorite in the indie-metal/hardcore scene, this band was the thrashy palate cleanser for the night.  Lead singer Emily gave a wild performance à la Henry Rollins, but instead of a machismo attitude, hit every beat with her lovely Cheshire Cat grin, wild hair and gold-melting stare.

The headliner Kate Clover, backed by members of the band Crocodiles, Brandon Welchez and Zeh Monstro, is a local favorite with a flair for mixing her vintage style with a sound that’s one part Wanda Jackson, one part Chrissie Hynde and two parts The Cramps.  It’s the spirit of 1976 CBGB’s wherever she goes. From the opening notes to their final riff, this ingénue gives a balls-to-the-wall performance that will not be reigned in by smaller clubs for long. Her latest single “Channel Zero” is out now. You have three more weeks to check her out at The Bootleg (it’s free people!), along with her ongoing rotation of opening bands, so put on your best band tee and start to love Mondays again!


KATE CLOVER

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VAGUESS

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JORDAN JONES

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NICE

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JANUARY 6TH, 2020
BOOTLEG THEATER, LOS ANGELES, CA
PHOTOS BY FIESTABAN PHOTOGRAPHY!

*CREDIT THE PHOTOGRAPHER IF IMAGES USED, PLEASE! NO EDITING AND/OR REMOVAL OF WATERMARK(S)*
tags: Fiestabanphoto, Kate Clover, Jordan Jones, Nice, Vaguess
Wednesday 01.08.20
Posted by Concert Updater
 

The Make-Up with Crush

WORDS & PHOTOS BY FIESTABAN PHOTOGRAPHY!

THE MAKE-UP

After an 18 year hiatus, The Make-Up was back on Wednesday for two sold-out nights at Zebulon LA, with their “Gospel Yeh Yeh” style which is one part Liberation Theology, one part Beat poetry, one part Baptist revival and three parts rock ‘n’ roll.  

Their opener Crush, a multi-instrumental duo consisting of Zumi Rosow and Cole Alexander of The Black Lips were a complete contrast to the cohesive power of The Make-Up, with Crush’s experimental rag-tag frenzy ranging from atonal rap songs to saxophone-hewn punk ballads to fuzzy psychedelia.  These two were a bit dizzying to watch, working from chord progression sheets written on torn scraps of paper strewn across the stage, yet they still brought a sense of street-wise anarchy and an atrocity exhibition to the anxious crowd. 

CRUSH


All donning tight blue crushed velvet suits by way of Little Richard, The Make-Up made up for lost time, mixing their unique blend of garage rock, glam, soul, 50s doo-wop, indie-funk and Pentecostal hymns into far-Left-leaning anthems on sex, drugs and Hegel.  It’s not every day you see a band spouting anarcho-syndicalist Marxist messages about freedom, insurrection and utopian ideals, while also bringing the boogie for the people to the people.  Lead singer, Ian Svenonius, now 51, has the spirit of a man 30 years younger, spending nearly every song crowd-surfing, frenetically jump-kicking, yowling and grooving to songs like “Every Baby Cries The Same”, “U R My Intended”, “I Am Pentagon” and “They Live By Night,” finishing with closers, “Born On The Floor” and “Black Wire Pt. 1”.  Original band members Michelle Mae, Steve Gamboa and James Canty let Svenonius toss coal into the stoker, building and giving him the freedom to let off his much-needed steam, while they adeptly kept the train rolling on the tracks.  The show was more of a ministry than a concert (Svenonius has remarked in interviews that he views African-American gospel, not blues as the progenitor of rock n roll with its high energy and catharsis) with lots of audience participation, call-backs and “fifth member” action.  A voice all his own, Svenonius’ unique falsetto shriek lies somewhere between Prince á la “Kiss” and Marc Almond á la “Sex Dwarf” and his lyrics and spoken word interludes tap into a quasi-Dadaist, Byron-esque fever dream mixed with Gonzo journalism (saying things like “they have these microphones and they hope that someday someone will say something totally deranged…” and “...we know there are lots of forces against you, the national sports leagues creating more content for our Silicon Valley overlords, but you’re here tonight…”).  If it’s been a while, do yourself a favor and look up their 1998 and 1999 classics In Mass Mind and their singles collection I Want Some.  This is music to start a revolution by and The Make-Up will not be televised.  

THE MAKE-UP

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CRUSH

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DECEMBER 4TH, 2019
ZEBULON, LOS ANGELES, CA
PHOTOS BY FIESTABAN PHOTOGRAPHY!

*CREDIT THE PHOTOGRAPHER IF IMAGES USED, PLEASE! NO EDITING AND/OR REMOVAL OF WATERMARK(S)*
tags: Fiestabanphoto, The Make-Up, Crush
Thursday 12.05.19
Posted by Concert Updater
 

Death Valley Girls

WORDS & PHOTOS BY FIESTABAN PHOTOGRAPHY!

DEATH VALLEY GIRLS

Death Valley Girls, Kate Clover, and Crocodiles brought their A-game to The Lodge Room for a night full of punk love and wild babes.

CROCODILES

The opener Kate Clover is pure 70s punk rock in a little black dress.  Pairing a fast-tempo X-Ray Spex, Ramones, or The Kills sound with a well-heeled Debbie Harry-meets-Audrey Hepburn look, Kate’s LA punk sensibility is raw and balls-to-the-wall.  Punk aficionados may remember that Clover was part of indie sensation ExSage, but her new solo sound is far less gritty and more upbeat.  Backed by Crocodiles (whom have served as her touring band this year) in their handsome vintage black suits and silk western-style bow ties, she definitely got the crowd’s blood pumping.  Check out her latest single “Channel Zero,” which was produced by Crocodiles’ Brandon Welchez.

Crocodiles is bringing proper noiserock back again in a style that has the feel-good grittiness of bands like Black Rebel Motorcycle Club, Arctic Monkeys, Jesus & Mary Chain, Love And Rockets or the Stooges.  Changing their outfits from their set with Kate Clover, their more contemporary duds reflect their much more casual contemporary sound.  The all-male band is easy on the eye and brings a unique wickedness to their rock sensibility.  Their set includes rockers like “Sunday (Psychic Conversation #9)”, “Crybaby Demon”, “Wait Until Tomorrow” and a searing cover of Neil Young & Crazy Horse’s “Don’t Cry No Tears.”  Check out their newest album, “Love Is Here.”

KATE CLOVER

Finally, Death Valley Girls are the most tenderhearted group in the punk scene today.  Don’t be afraid of their darkly quasi-occultish psychedelic style (“doom boogie” as the band calls it), DVG just want to love you.  Their crowds often include parents and children, the latter of which lead singer Bonnie Bloomgarden loves to dote on during the show, giving plenty of hugs, handshakes and words of encouragement to these future rockers.  (I won’t do justice to Bonnie’s impromptu “whale” story here, but suffice to say that being considered “weird” is not the worst thing that can happen to a person—she also wants the little ones to know that no matter what anyone says, they are angels).  One of Iggy Pop’s favorite bands DVG take their glam-influenced live show to a new level, with lots of crowd work, mini-lovefests, Stevie-Nicks-meets-Black-Sabbath outfits, a smoke machine working overtime and a raucous devil-may-care attitude.  When people talk about “thoughts and prayers,” they really need to ask these homespun heroes how it’s done, because wherever they go, they consistently bring an almost Pentecostal level of energy and the highest of positive cosmic vibes possible.  If you haven’t checked out this band, please do yourself a favor and listen to their latest 2018 album “Darkness Rains” here.

DEATH VALLEY GIRLS

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CROCODILES

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KATE CLOVER

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NOVEMBER 23RD, 2019
THE LODGE ROOM, LOS ANGELES, CA
PHOTOS BY FIESTABAN PHOTOGRAPHY!

*CREDIT THE PHOTOGRAPHER IF IMAGES USED, PLEASE! NO EDITING AND/OR REMOVAL OF WATERMARK(S)*
tags: Death Valley Girls, Kate Clover, Crocodiles, Fiestabanphoto
Monday 11.25.19
Posted by Concert Updater
 

The Midnight Hour

WORDS & PHOTOS BY FIESTABAN PHOTOGRAPHY!

THE MIDNIGHT HOUR

DJ KALEEM

The Midnight Hour brought the Harlem Renaissance to Los Angeles this Thursday at The Lodge Room in Highland Park.  An upscale jazz ensemble with a jolt of funk, R&B and hip-hop, this 10-piece band is the brainchild of multi-instrumentalists and producers Adrian Younge and A Tribe Called Quest’s Ali Shaheed Muhammad.  The pair worked together previously to create the soundtrack for Marvel’s Luke Cage Netflix television series, but The Midnight Hour is no superhero theme song.  It is a highly orchestrated and well-heeled big band jam session of sorts, in the style of Count Basie or Quincy Jones, with stylish arrangements and musical phrasing reminiscent of everything from Gene Krupa, Charlie Parker and Miles Davis to Curtis Mayfield, Chaka Khan and The Meters.  Their latest single “Harmony” featuring Loren Oden is a dazzling love song which highlights Oden’s smooth falsetto and the group’s rich tapestry of harmonies.  The band, which has been touring all year, chalking up over one hundred shows around the country (including a few cities which Younge half-jokingly described as having some, “real suspect gas stations…”), finished their tour here in LA.  Their opening act was a collaborative subset of the band, featuring veteran guitarist Jack Waterson, incredible percussionist Malachi and breakout vocal sensation Angela Muñoz, whom at only seventeen years old is soulful beyond her years with the voice of a seasoned singer like Solange or Goapele.  Providing the groove between sets was DJ Kaleem spinning old school soul and r&b vinyl.  This band takes music to new levels, while also creating new platforms for emerging talent.  We can’t wait to see what’s up next for The Midnight Hour as they gear up for next year.

JACK WATERSON

THE MIDNIGHT HOUR

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JACK WATERSON

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NOVEMBER 21ST, 2019
THE LODGE ROOM, LOS ANGELES, CA
PHOTOS BY FIESTABAN PHOTOGRAPHY!

*CREDIT THE PHOTOGRAPHER IF IMAGES USED, PLEASE! NO EDITING AND/OR REMOVAL OF WATERMARK(S)*
tags: Fiestabanphoto, Jack Waterson, The Midnight Hour, DJ Kaleem
Saturday 11.23.19
Posted by Concert Updater
 
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