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Sleepy Sun: Artist Interview

SLEEPY SUN:
artist interview

Sleepy Sun, image courtesy of Amy Harrity & Tell All Your Friends PR


With a recent single ("Crave") that has premiered on Brooklyn Vegan and a 5th studio album due out June 9th (Private Tales), Sleepy Sun is a band you do not want to miss out on. With their "monk-like melodies" and "riffs that ring out in the distance" this band gives off a psychedelic feel that makes you feel like you're floating on clouds. The band formed in Santa Cruz, CA (now based in San Francisco) is made up of vocalist Bret Constantino, guitarists Matt Holliman and Evan Reiss, and drummer Brian Tice. Lucky for me, I was able to catch up with Evan and Matt for a quick Q & A to ask about their upcoming album, Private Tales, working with awesome female vocals (Kathryn Calder and Hannah Moriah), and their favorite bits and pieces of being amazing artists...

NICOLETTE: Hey guys! Congrats on the upcoming release of your fifth studio album! Let's just jump right into it, shall we? What is your favorite track off of Private Tales?
EVAN REISS: My favorite track off of PT is “Crave.”  Visceral guitars, Italian church bells, and a marimba. What more could one ask for?
MATT HOLLIMAN: It’s difficult to choose, but whenever I listen to “When The Morning Comes” I get a distinct visual representation of the song, both connected to Bret’s lyrical content and how the song originated. There’s a few tracks on this album that really paint vivid pictures, and they tend to be hazy enough to allow for multiple interpretations depending on what lens you’re looking through.

N: What was the inspiration for the "thorny hooks and chaotic thunderclaps" that is your newest single, "Crave"? (It is AWESOME by the way!) 
E: For me, Crave was the “missing piece of the puzzle” that came to be Private Tales. It’s what we needed to close this chapter. Also, Birthday Party and Bad Seeds. 
M: The marimba completely makes this track for me. This is another element immediately conjures up images when I hear them lurking into the track. 

N: Any fun before show rituals that get you pumped up for your set?
E: We try to hug it out and intone into each other's faces. Put on a bolo tie and get on the level.

Sleepy Sun photo by Samuel Ware

N: Any plans for a longer tour once the LP release? If so, what location are you most excited about visiting?
E: We’ll be touring in the U.S. and Canada during the months of July and August. We are visiting places like Vancouver, BC and Austin, TX.  Both cities have become second homes to the band.  We’re lucky to have made some very close buds throughout our years of traveling and I’m looking forward to visiting them as well as eating queso and poutine. (Uh, yum and so jealous! -N)

N: Private Tales is your 5th full length album, that’s wildly impressive. What about this album is different than the others?
E: The writing and recording process was different this time around. It spanned over the course of two years whilst members of the band had migrated away from the Bay Area. I’m proud we were able to pull off a cohesive record considering the circumstances.
M: There was quite a bit of distanced writing, whereas in the past we typically worked things out in our rehearsal studio, over and over. We eventually came full circle to hashing things out in our studio once we could get everyone together, but laid the foundation with countless demos, re-demoing, and trying to new approaches over our various locations.

Sleepy Sun photo by Samuel Ware

N: Reiss has said that he “likes music that gives [you] an opportunity to breathe,” I can certainly attest that your music gives me a moment to breathe. What’s a band/song that has influenced you and given you an opportunity to breathe?
E: Neil Young - Cortez The Killer
M: Fripp & Eno - (No Pussyfooting)

N: During the recording sessions you worked with Kathryn Calder and Hannah Moriah, what was that like? What did their voices bring to the table for the songs? They both have incredible voices, it added a brilliant dynamic to your sound.
E: We’re very lucky to have worked with those gals on the album. They brought an energy and feel to the songs that cannot be underestimated or ignored.  It’s really fun to bring collaborators into the studio - especially when they are good pals with amazing voices and pro songwriting abilities. Hannah is playing in the live band right now and that has been a special treat for me.  4-part harmonies for the win. Kathryn is in New Pornographers. She is Colin’s (our producer/engineer/longtime friend) wife. She rips very hard, as well.

N: What does the rest of 2017 have in store for Sleepy Sun?
E: Support the record as much as we can with live performances. Write the next one.
M: Getting in the van, hitting all the favorite trucker stops, and morning breakfast haunts.

N: I know the recording process was a lengthy course of two years via home recordings, emails, etc., how did you keep the inspiration alive?
E: For better or for worse, the band is something I believe in...deeply. We’ve tried our best to not let life get in the way of making music with each other.  At the same time, we respect each other’s personal boundaries and understand that Sleepy Sun isn't everything (i.e. we all need to make a living... and lord knows, it's not from this band.)  The work can be tedious and trying, at times.  But the final product of being able to record and play music with my friends is well worth it.
M: It wasn’t so much inspiration as just something we had to do. Oftentimes Evan and I would get together to demo tracks that would set off a chain reaction of writing, and we’d just try to keep one-upping ourselves. We’d get a vocal melody from Bret here, some drums from Brian there, and then it would kick things off into another direction, and we’d either try to improve, or scrap things down to the greatest bits, and build them back up again. The limitations we faced forced us to figure out a new way to write together.

Album artwork for "Crave" by Koak

N: What inspired the album artwork for “Private Tales”?
E: Koak!!!!! She’s an incredible artist that we’ve known and worked with since our Santa Cruz days. Her stuff is beautiful and ominous - a perfect pairing for the PT collection.

N: Who do you aspire to work with in the future? Any wishful-collabs?
E: There are a crap ton of talented bay-area folks that blow my mind on a daily basis. Once and Future Band, Heron Oblivion, and Matt Baldwin are just a few examples of peeps that I’d like to throw down with.

N: I know that this record in particular was the most difficult to make, how come? It was mentioned it was mainly for logistical reasons, but could you elaborate?
E: We thought we had the record done after the first year of writing and two-week recording session but it turns out we didn’t.  At first glance, that was pretty upsetting.  So we went back and wrote a bunch of tunes over the course of another year and recorded again.  At that point, we had more than enough jams for an LP (too many.) In fact, we had to cut some of my favorite songs from the album just because they didn’t fit into the grand scheme of ‘PT.’ I hope they will surface someday. 

N: If you could switch instruments for a day and experiment with a new sound, what would you try?
E: Pedal steel.
M: At the end of the day, a solid drummer is where it’s at. You don’t have to be super flashy or technical by any stretch of the imagination, but you can turn a song on it’s head with some interesting percussion.

N: Concert Updater was created by artists for artists to help everyone get their art into the world, how does it feel knowing your music inspires others?
E: Feels good. Music inspires me.  If someone out there picks up a guitar because of something that I played, then I’m a happy camper. Inside an infinite circle of creative stimuli and inspiration is where I want to be.

            Well, there ya have it. Not only are they amazing musicians they're pretty dope guys too. Evan said it best; "music inspires...inside an infinite circle of creative stimuli and inspiration is where" we want to be. This world is a weird place, but it keeps on turning because of music, love, and creativity. This band is scoring a 10/10 in all three categories in my book. Don't miss out and look for your city on their upcoming summer tour and check out our incredible Concert Updater photographer Samuel Ware's gallery of Sleepy Sun from the Hi Hat LA on 5/27 here.

Cheers to Sleepy Sun and we cannot wait for Private Tales due out June 9th on Dine Alone Records! Congrats, gents! 

Sleepy Sun photo by Samuel Ware

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Sleepy Sun photo by Samuel Ware

Show photos by Samuel Ware
Promo photos courtesy of Tell All Your Friends PR
Interview by Nicolette Cunningham
tags: Sleepy Sun, Interview, Artist interview, NIcolette Cunningham, Tell All Your Friends Pr
Thursday 06.01.17
Posted by Concert Updater
 

Grandson: Artist Interview

Image courtesy of @grandsonsucks on Twitter.

GRANDSON: an artist interview

Grandson, a twenty-three year old alternative artist from Toronto, Canada, is a name you will soon become familiar with. With only four songs released, and a sound that blends hip hop, alternative, and hard rock, I was ecstatic to have the chance to interview him.

MARANDA RISNER: Can you tell me a little bit about yourself, who is grandson?
GRANDSON: I was born in New Jersey, grew up in Toronto in a family of musicians. My sisters introduced me to hiphop, R&B, dancehall, while my grandfather turned me on to jazz. I started writing on a guitar in high school, and then making beats while in University. I later dropped out of university to move to Los Angeles to write full time. Here we are now.

MR: Where did the name grandson come from?
G: I had been searching for a name that would come from a place of nostalgia; that paid respect to the people and places that my music is influenced by. The project started taking form a couple months after the passing of my grandfather; my manager had this dream one night that he was side stage at a show of mine and my name was "grandson." Once we heard it out loud, it stuck.

MR: To someone who is unfamiliar with you, how would you describe your sound?
G: I would describe it as a contemporary take on alternative rock -- blending different genres of rock I grew up on, like grunge and classic, riff-driven rock & roll with production styles of the hip hop and trap music I'm a fan of now. It’s an unapologetically 2017 take on a rock band.

MR: Is music something you've always wanted to pursue?
G: I don’t really know. It was something I always had an interest in and constantly worked at, but never saw as a realistic option until I left university.

MR: Where do you find influence when writing your lyrics?
G: I’m influenced by the places I go, the people I meet and the relationships I build. I try to be a fan and student first and foremost of both art and human behavior.

MR: Who are some of your musical influences?
G: Bill Withers, Rage Against the Machine, Danger Mouse, Eminem, Nirvana, Red Hot Chilli Peppers, The Beatles, Mark Ronson, Rick Rubin.

MR: When creating your songs do you do most of the production and instrumentals yourself?
G: I’m very fortunate to have collaborators like Kevin Hissink, Tim Suby, HighxLand and other super talented friends of mine that help me bring the ideas in my head to life.

MR: If you could tour with any musician you wanted to who would it be?
G: Run the Jewels.
 

MR: Where is somewhere you dream to play?
G: Red Rocks*

MR: So your newest single is "Best Friends" where did you find influence when writing that song?
G: The song is about this guy who was in a bad environment his whole life, and progressively his friend group gets more dangerous with the trouble they get into. He finally reaches for help and ends up escaping. At its heart, the song is about fear, morality and self-worth... nothing serious.

MR: I've seen a lot of positive feedback from your music lately, how does it feel to have it so accepted?
G: Fuckin gnarly.

MR: Can we expect an album anytime in the near future?
G: Working on it everyday. Stay tuned.

MR: As for the future, what's next for grandson?
G: New music, new shows, new stuff!!!

MR: And for the last question, I'm gonna ask what is your final quote, if there's one thing you'd like the readers to take away from this interview what would it be?
G: “How you do anything is how you do everything.”

Overall Grandson has quickly become one of my favorite up and coming artist. He has a sound that is uniquely his own and his music is one that not only tells a story, but also makes you think. Take time to check him out, I promise you will not regret it.

Image courtesy of @Grandsonsucks on Twitter.

STAY CONNECTED WITH GRANDSON

TWITTER, SPOTIFY, + INSTAGRAM

REPORTING BY
MARANDA RISNER

 

 

*an ampitheatre in Colorado.

tags: Maranda Risner, Artist interview, Grandson
Monday 04.24.17
Posted by Concert Updater
 

Descartes a Kant: Artist Interview

DESCARTES A KANT

Descartes a Kant, image courtesy of Secret Service PR

REPORTING BY
DANIELLE LIMON
 

Quickly making their way into the United States, Descartes a Kant continues to surprise everyone with their unique musical tones. Originally from Mexico, the band has reached thousands internationally. The band is made up of Sandrushka Petrova, Dafne Carballo, Ana Cristina Morelos, Memo Ibarra, Jorge Chávez, and Andro Muñoz, all working together to mix their love for rock n' roll and their culture into one project. Sharing a connection to the culture they were raised in, I was more than excited to hear what they had to say about the new album...

Danielle: What was the writing process like for Victims of Love Propaganda? 
Memo Ibarra (bass/synth):  It was a very personal and intense experience, and it was months of research within the subject of modern relationships and the evolution of them. It was also the first time we kind of wrote with a deadline, so that made the whole process very different from the previous recordings. Plus, this was the first time we conceived an album with the current line up, so it has some involvement from other members in the writing, unlike the previous albums.

D: How has your culture brought a big influence into not only this album, but your previous albums and works as well? 
M: Although musically it might not have influenced the sound of Descartes a Kant’s music directly, Mexican culture has definitely has influenced our band in several aspects since it’s a part of our daily lives. The fact that we have this kind of a band in a country like this is a challenge, since is totally unusual for the scene, so the struggle that we face everyday is definitely a part of what constitutes all of our art including albums and live shows. There is also a big influence from the United States culture since our front-woman Sandrushka was born and raised until age 7 in California, and most of the band grew up listening to alternative rock music from the US like Nirvana, The Pixies, Sonic Youth, Beastie Boys, Dresden Dolls, etc and punk rock bands like Dead Kennedys, Fugazi, etc.

D: Your new label, Cleopatra Records, is releasing the album outside of Mexico, how does that feel?! 
M: It feels like a great accomplishment for us, since it’s the first time one of our albums is released outside Mexico, so we are extremely happy and thrilled for it. But also, we see this as a responsibility and a challenge, we are taking it as a great opportunity to get to do more work in the US, since we feel like our band has done pretty well over there and have had great feedback in the shows we’ve done there.
 

D: What do you want the fans to take away from this album? 
M: We have always been fond of the idea of letting people take our art and vision and make it their own. Having said that, we like to think of this as a somewhat different break-up album from the ones we have heard in the past, so we basically expect weird and corky people to find it useful, haha

D: The second song off the album, “Motion Picture Dream Boy,” is already out and is so unique in sound and visuals; does this give a clue to the feel of the new album? It kind of does, it’s like the beginning of the hole theme; visually, you get an introduction of the characters and a glimpse of what’s to come in their relationship. It’s the crush part of it. And sound wise, I would be lying if I said it gave a clue, since all the songs have their own thing going, it’s very diverse genre-wise, as all of our albums have been, but maybe sonically you can start to feel the vibes of the direction we took in terms of production.

D: You have described the album as an “emotional porn album,” can you expand on that meaning? 
M: We use that phrase as a reference, meaning it’s like displaying someone taking their insides and guts out for the rest to watch.

D: How does your album artwork add to this play on a “modern love relationship”? 
M: The interior artwork is a representation of the female (and main) character’s notes and photos of her past relationship, and how she goes back and tears some stuff apart and writes some heartbreak phrases… it’s like a diary with some collage stuff. The cover art we think it’s pretty clear and strong in its message: A couple kissing with anti-gas masks that represent the current state of relationships, like not realizing the toxic part of it.

D: Was working with Steve Albini intimidating when knowing the talent he has worked with (i.e. Nirvana, Pixies, Breeders)? 
M: I think the intimidating part came the weeks or months before the recording, because we really are huge admirers of his and those particular bands, and some of us are even fans of some of his less known recordings; also, being a band used to tons of post-production detailing and hundreds of layers and tracks we were obviously worried about recording in tape for the first time, but I think the moment we met him and talked we were relieved to see he was a really nice person and he really made us feel very comfortable at all times during the process.

D: This is your third album, how was growing as a band been along all the years of hard work? 
M: To say we have learned a lot from the past two albums experiences would be an understatement, throughout these 10+ years we have lived together, literally in the same house the six of us lived together for 3 years, have gotten to know what it is to tour in places like Russia, Brazil, Spain, USA, Costa Rica, Colombia, etc.. sometimes sleeping all in the same room, sometimes in fancy hotels and sometimes in the floors of houses, so we basically could say this is like a long-term relationship with 5 other persons instead of 1. We’ve basically grown up together. 

D: How would you set this album aside from the other two? 
M: This one is more in-your-face with the lyrics, and we think it kind of has the intensity and power from the first album with some of the ambitious arrangement work of the second album. It can also be set aside from the previous ones because it deepens into a more direct and everyday subject like love. Also it has a lot of synth oriented sounds in the guitars.

D: The name you have chosen for your band, Descartes a Kant, refers to two strong philosophers. Has that influenced your band and the different sounds within your albums and in what ways? 
M: In the first album Paper Dolls it might have, since our songs at the time were style-shifting bipolar-schizophrenic pieces of less than 2 minutes, so we always made the analogy with Descartes and Kant: two completely opposite lines of thought within the same period of time, similar to our songs.

D: What made you decide on this particular name for your band? 
M: Sandrushka, the band’s founder, was looking for a band name while reading a book on modern philosophy, where the chapter “De Descartes a Kant” caught her eye. She found it a great analogy for the band’s music proposal at the time, and also thought it sounded better than the rest of the names on the list!

D: What have you noticed is different when playing a festival versus your own headlining tour? 
M: For a band like us, festivals seem odd. Don’t get me wrong, we love playing festivals cause it allows us to expose our music to a great quantity of people, but being a band that is sort of a theater play, we work so well when we can interact with the audience. Also, having a punk background, we have always loved to play the really small shows when we have the crowd in our faces. It’s a tricky thing, because doing the show that we currently want to do, and all the production it implies, it’s getting near impossible to do the small venue thing anymore. But we get around, we find ways.

D: Speaking of tour, we know you are set to play your own shows soon, how has the process been for that especially when adding in the new songs you are about to release? 
M: It’s been exhausting and fun at the same time. We take the live aspects very seriously, and we treat the stage with utmost respect, so preparing the new show has come with long days of work involving pre-production, new choreographies, scenery, visuals, lighting design plus the rehearsal of the live version of the new songs.

D: Your shows are known for bringing people completely out of their element; will this tour bring just as much if not more to the imagination for the fans? 

M: Definitely, although that question will be up to the fans, but what we can tell you is we definitely will continue with our pursuit of making a different experience for the audience each show, and we will give 110% of ourselves every time as we have always done.

D: Are there any exciting or possible surprises for the fans to look out for on tour? 
M: Lots of them, we are taking our set to other levels in terms of theatrics, even more so than with Il Visore Lunatique. You can expect a hole new universe full of the unexpected.

D: What places are you most anxious to visit? 
M: We would love to tour other places in USA besides the ones that we have done some times in the past (California, Texas and Chicago) like the East Coast, for example. Also, we are excited for touring Europe properly, since we’ve only done it sporadically.  

After speaking with Memo and researching live shows from this incredibly unique band, I highly suggest giving this fantastic band a listen and going to a show. Who knows, we may just run into each other in the crowd! Descartes a Kant has shown that they deserve to be heard all over the world and their new album, Victims of Love Propaganda, drops May 12, 2017. You can catch me being one of the firsts to listen.

DONT FORGET:
Victims of Love Propaganda
comes out May 12th, 2017

VICTIMS OF PROPAGANDA - DESCARTES A KANT, image courtesy of Secret Service PR

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tags: Descartes A Kant, Danielle Limon, Review, Artist review, Artist interview, interview
Wednesday 04.05.17
Posted by Concert Updater
 
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